The man was dressed in brown he had a long dark face and straight dull hair from the roll of gold leaf on his knee he carefully and slowly gilded the devil. On the white-washed wall hung a winged picture representing a martyrdom its vivid hues were the most brilliant thing in the room. Michael leant against a chair, and round his feet were painted glasses of every colour and form. On the table in front of the open window stood a row of knights in fantastic armour, roughly modelled in clay beside them was a pile of vellum sheets covered with drawings in brown and green. He could see the sparse plants bordering the neglected grass-grown paths, the house opposite with its double row of empty windows and the yellowing vine-leaves climbing up the tiled roof that cut the polished blue of the August sky.

The place was utterly silent, the perfect stillness enhanced by the dazzle of the blinding sun without presently the man rose and, crossing to the window, looked out.

The devil, rudely cut out of wood, rested by his three tails and his curled-back horns against the wall, and the man sat before him on a low stool. The chamber looked on to the quadrangle round which the house was built and the sun, just overhead, blazed on the vine leaves clinging to the brick and sent a reflected glow into the sombre spaces of the room. In the large room of a house in a certain quiet city in Flanders, a man was gilding a devil.

Black magic by marjorie bowen