Although many of the stories are tinged with pessimism and misanthropy, they can also be read as courageous cries of anguish and protest. His fear of what might lie in wait for him suffuses de Maupassant's stories with psychological verisimilitude, injecting a 'terrible clarity' into such chillers as 'The Horla'. He cut his own throat, was declared insane, and died in an asylum in Paris in July 1893 at 42 years of age.

Towards the end of his short life, the disease attacked his brain, producing blinding headaches, then hallucinations. But the seeds of destruction were already in him-de Maupassant had lived a debauched life, dabbling in drugs, and contracted syphilis during his twenties. This procured for him fame, financial security and the means to travel. He was part of Gustav Flaubert's literary circle during the 1870s, wherein he honed his craft, before launching a stream of successful writings on the public during the 1880s. Born into a Norman family of relative wealth and privilege, he had seen the darker side of life while serving in the French army during the Franco-Prussian War. Hoffman and Edgar Allen Poe, de Maupassant tapped into the craze for cathartic tales of mystery and the occult rife in France in the latter half of the nineteenth century. Strongly influenced by the writings of E.T.A. This volume collects together 32 of Guy de Maupassant's best tales of terror, in Arnold Kellet's glitteringly clear and precise translations. Selected and Translated by Arnold Kellett

Who Knows? by Guy de Maupassant